Manuel is a Spanish writer who has emigrated to Argentina. He hears that his childhood village in Spain is to be turned into a reservoir, and returns for one last trip. There he meets widow Virginia, an old love, and begins to hope that he might reignite the flame between them. As old secrets are revealed, the villagers must come to terms with their imminent loss and the drowning of their home.

This early short by Jaromil Jireš anticipates the formal and stylistic experimentation that would characterize VALERIE AND HER WEEK OF WONDERS.

A surreal film by shorts legend, animator Bill Plympton, about a quest to find a mysterious monster.

An amnesiac young woman (Sybil Temtchine) wakes up, face down on the footprints of Graumans Chinese Theatre, and spends one day, from sunrise to sunset, entirely on Hollywood Boulevard, piecing together her identity through her interaction with a host of disparate characters and famous locales.

维拉萨特库尔（Weerasethakul）参与了一部集锦式作品的创作，该作品探讨了足球与日常生活之间的相似之处。此项目由墨西哥电影导演丹尼尔·格鲁纳（Daniel Gruener）发起，最初在2014年国际足联世界杯期间播出。

Documentary about the lost episodes of Dad's Army (1968) and their recovery and restoration.

The story of people able to recover the part of themselves that they never recognized loss. It is a subtle introspection, through the eyes of each of the characters, which, in their day, they left behind

Thousands of footprints stretch for miles across New Mexico’s White Sands National Park, capturing moments when Ice Age humans encountered now-extinct beasts, including enormous ground sloths and mammoths. What can these footprints reveal about the peopling of the Americas and what life was like at the end of the last Ice Age?

The story travels through the life of the family, who faces a tough time when their daughter goes missing.

The post-war years. Yakut hunter Bykadyrov discovers mysterious footprints in the taiga leading to a village where the head of a geological expedition has just been murdered. A group of state security officers arrives from Moscow to investigate the crime.